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Jazz Guitar Improv 103
Jazz Guitar Improv 103 - Sheet Music Download Here!
Jazz Guitar Improv 103 - All Exercises (PDF, XML, SIB) - Download Here!
Jazz Guitar Improv 103 - Backing Tracks
Backing Track Files for Jazz Guitar Improv 103
SECTION 0 - How To Use This Course
How to Use Soundslice - please watch if you haven't used Soundslice before! (6:17)
Lesson 0 - How To Use This Course (4:52)
SECTION 1 - Review: The Three Pillars of Improvisation
Lesson 1 - Improv 101 & 102 Review and The Three Pillars (4:18)
SECTION 2 - Scale Warm-ups for Flexibility
Lesson 2 - Scale Warm-Ups (2:37)
Lesson 3 - Big Scale, Big Arpeggio (3:03)
Lesson 4 - Practicing the Big Scale over F Blues
Lesson 5 - DEMO: Improvising the Big Scale over Bb Blues (0:48)
Lesson 6 - Bebop Scale (3:39)
Lesson 7 - Subtraction Lines (1:57)
Lesson 8 - Subtracting from the Descending Guide Tone Scale (1:01)
Lesson 9 - Subtracting from Ligon’s 3rd Outline (1:02)
SECTION 3 - Enclosures
Lesson 10 - Two-, Three-, and Four-Note Enclosures (2:29)
Lesson 11 - Enclosures on Autumn Leaves (1:08)
Lesson 12 - Third Pillar Enclosures (2:16)
Lesson 13 - Delayed Enclosures on Autumn Leaves (1:09)
Lesson 14 - Anticipated Enclosures on Autumn Leaves (1:08)
Lesson 15 - The Final “Note” on Enclosures (1:58)
SECTION 4 - Minimalist Improv
Lesson 16 - Miles Davis Pacing (1:34)
Lesson 17 - Miles Davis’ “Autumn Leaves”
Lesson 18 - Analysis of Miles Davis’ solo (5:13)
SECTION 5 - Interlude: Soloing on 2 Adjacent Strings
Lesson 19 - Soloing on 2 Adjacent Strings (2:48)
Lesson 20 - DEMO - Summertime on 2 Strings (0:56)
Lesson 21 - Trading 4s - Bb Blues on 2 Strings (1:27)
Lesson 22 - Trading Choruses - Blue Bossa on 2 Strings (0:57)
SECTION 6 - Autumn Leaves and Forward Motion
Lesson 23 - Forward Motion (2:46)
Lesson 24A - Autumn Leaves with FM - Targets Only (0:58)
Lesson 24B - Autumn Leaves with FM - Targets with Pickups (0:59)
Lesson 25 - Autumn Leaves Solo in FM - Example of Using Targets
Lesson 26 - Third Pillar - Autumn Leaves (1:16)
Lesson 27 - Autumn Leaves with Forced Breaks (1:53)
SECTION 7 - All the Arpeggios, pt. 3
Lesson 28 - Third Pillar - All the Things (1:25)
Lesson 29 - All the Things with Forced Breaks (2:07)
Lesson 30 - A Demonstration of Soloing with Forced Breaks (1:26)
Lesson 31 - All the Things with Forced Breaks - Written Solo
Lesson 32 - All the Time Signatures (1:54)
Lesson 33 - Call and Response - All the Things in ¾ (1:36)
SECTION 8 - Bb Blues
Lesson 34 - Bb Blues Recap (2:10)
Lesson 35 - Call and Response - Bb Blues (1:25)
Lesson 36 - The VI Chord - Harmonic Minor of Destination (3:58)
Lesson 37 - Call and Response - Blues VI chord using HMD (0:31)
Lesson 38 - The VI Chord - Ligon Outlines on ii-V-i (3:42)
Lesson 39 - Call and Response - Blues VI Chord using Bert Ligon Outlines (0:46)
Lesson 40 - The VI Chord - The Altered Scale (2:49)
Lesson 41 - Call and Response - Blues VI chord using Altered Scale (0:31)
Lesson 42 - Call and Response: Bb Blues with VI Chord Approaches (3:31)
SECTION 9 - Discussions
Lesson 43 - Improvised Motivic Development (5:46)
Lesson 44 - Transcribing, Recycling, & Assimilating Ideas (3:08)
Lesson 45 - Free Blowing (4:19)
Lesson 46 - Scientific Pacing (3:36)
Lesson 47 - Prescribed Rests on Have You Met Miss Jones (1:47)
SECTION 10 - Wrap-Up
Lesson 48 - Improv 103 Wrap-Up (5:44)
Lesson 49 - THE PANIC BUTTON (9:39)
SECTION 11 - Bonus Content
Lesson 50 - Displaced Charlestons (2:25)
Lesson 51 - The Diminished Scale on the VI Chord (3:26)
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Lesson 18 - Analysis of Miles Davis’ solo
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